We get a great meta-gag involving a word-balloon picture that’s marvelous and eye-catching. The incredible art by Phil Noto sets this apart with his typically photorealistic style – We get some lovely, gory action but also tender scenes in which Wade, in his way, comforts Gabby. Wade stands up for her and delivers a great speech before killing the guy who started the mess in the first place – kudos to Taylor for making that work well. Gabby looks at this animal which has been experimented upon and sees a reflection of herself.
Gabby and Wade are tasked with bringing down a zombified zebra, and the adventure becomes predictably bloody. Wade thus turns to another partner in crime – Honey Badger, AKA Gabby Kinney.
Tired of his shenanigans, Peter Parker lets Deadpool’s call for help go to voicemail, and Logan tosses his cell phone over his shoulder and continues puttering along on his motorcycle at the sound of Wade’s voice on the line. We find Deadpool slumped on a blood-soaked floor, surrounded by dead, formerly zombified lab animals with his intestines hanging out of his torso. The issue opens with a bang - literally for Wade - with “Red All Over” (Taylor/Noto/Sabino). The naturally striking combination of colors highlights incredible art and witty scripts.
The first issue of this brand-new Deadpool miniseries - drawn and inked entirely in black and red - is a bloody, funny scream.ĭeadpool: Black, White And Blood #1 Ed Brisson (Writing) Kyle Hotz (Variant Cover) Adam Kubert And Frank Martin (Cover) Phil Noto (Art) Whilce Portacio (Art) Rachelle Rosenberg (Colors and Variant Cover) VC’s Joe Sabino (Letters) Ryan Stegman & Jason Keith (Variant Cover) James Stokoe (Art/Writing/Letters/Variant Cover) Tom Taylor (Writer)ĭeadpool: Black, White and Blood #1 delivers just what the title promises: stories about Wade Wilson entirely shaded in black, white, and red.
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